This will be the look of the ventriloquist script.
Friday, November 14, 2014
CUT IT OUT!!
Check out this super-cool artwork I had done for Tom Moon's b-day:
Tom, you will have to post a proper close-up of the piece.
It is a large semi-dimensional cut-out of Tom's Raymond and the Giant Robot characters. The artist even added two extra vignette portraits that can be attached to the larger piece!
There's so much amazing going on here, let me try to run thru it all....
First off--how wild that the artist, Nat Goldblatt, created a Raymond THAT LOOKS LIKE TOM?! Tom and Patty remarked on this first thing, and asked if I'd deliberately set the artist out to do this--I hadn't! I don't even know if Nat knows Tom is of Korean heritage--I will be emailing him to find out. But I'm glad that #1 I'm not the only one who sees a resemblance, #2 the Moons weren't offended!
But more than the scintillating resemblance, you might be wondering how all this came about?
Remember those Inhumans drawings I'd been posting over the last year or so? Not the most recent one, but the others? I'd also posted them to the mighty Tumblr, where they were picked up by a terrific page called "The Inhumans Forever" (check it out--the proprietor Nat simply posts all kinds of great Inhumans art--including some from yrs truly). When I saw that I'd been "re-blogged," I emailed the proprietor of the site to thank him. He said he dug my work, and pointed me to another site of his where he posts his own artwork. He added that if I ever wanted to swap some art, he'd love to oblige.
So I checked his site out. It's HERE. I particularly love his recent Adam West Batman--you will laff, laff, laff!
Turns out he does amazing cut-out art. Mainly of recognizable characters from comic books and pop culture. Well, I loved his stuff. And looking at his work, (boy, is he prolific!!), an idea formed--wouldn't it be cool to see his take on some of Tom Moon's incredible characters?
But I was hesitant--maybe he wouldn't be too jazzed about the effort required to research unfamiliar characters--and then, what if he did a bad job, (didn't seem possible, but you never know...)?? And then again, however well they turned out, Tom might be mortified to see his special creations defiled by the hand of an unknown artist--and before he'd even had a chance to publish a single comic! Or maybe he'd just be annoyed that I had arrogantly taken it upon myself to share his own characters with someone outside the TAG circle--without his permission??
So I chickened out and asked Nat for a small cut-out of Stardust, the strange Golden Age hero by idiot savant artist Fletcher Hanks (a character and artist who I knew Tom loved).
(Tom, go ahead and post a photo of the great Fletcher Hanks cut-out Nat did right HERE)
But even after I'd sent the email request to Nat for this safe choice (wonderful as I knew it would turn out--and I wasn't disappointed, as you will see once Tom posts a pic), I kept thinking how great Tom's own characters would look in this cut-out format.
So I broke down and asked Nat if he could do this one, too--just a little something, nothing too elaborate. Maybe 9" x 12", tops (I figured much smallerl might be more difficult when it came to manipulating the scissors?). Just whatever the characters and story inspired in him--but preferably the two of them fighting. And I insisted that I pay. But Nat refused payment, and asked that instead of paying him, I make a donation to Chicago's Cancer Research Foundation. How's that for an amazingly selfless referral??
Well, it only took Nat a few days to do BOTH cut-outs--this in addition to his full-time job (!) as a psychologist (!). But it took the package well over a week to get here...I was on pins and needles. When it arrived, what I found on our doorstep was a HUGE dbl-reinforced cardboard flat. I was shocked. When I opened it I was thrilled--thrilled to see how fantastically well Nat had rendered everyone--and shocked to see how elaborate and large it all was.
He emailed and said, yeah, he got a little carried away, don't sweat it.
(And not only did Nat go above and beyond with his quite brilliant rendition of Tom's characters, and the brilliant Stardust, but he also included three ADDITIONAL cut-outs that he said he had laying around the studio and that he thought I would like--one of 'em was a sexy Vampirella that I sent to Jimmy for Halloween. Amazing!)
So in the spirit of reciprocity, I inked an Inhumans drawing for Nat (the one from a few weeks ago) and mailed it off. But it wasn't until last night that Tom and I were able to get together (he was out of town for a while). NOW that we've finally gotten the art into Tom's hands, I can finally post these images and tell the tale.
And thankfully, not only did Tom like the cut-outs, but so did his wife Patty--she said they have to go up on the wall. Phew!
You know, one of the few truths I've learned in this life is, it's always worth it to commission a piece of artwork. If it's at all possible financially, you'll never regret it.
Tom, you will have to post a proper close-up of the piece.
It is a large semi-dimensional cut-out of Tom's Raymond and the Giant Robot characters. The artist even added two extra vignette portraits that can be attached to the larger piece!
Tom sez:
Here are some close-ups of the pieces.
This guy does my characters better than I do my characters!
Have to hire him for future issues.
First off--how wild that the artist, Nat Goldblatt, created a Raymond THAT LOOKS LIKE TOM?! Tom and Patty remarked on this first thing, and asked if I'd deliberately set the artist out to do this--I hadn't! I don't even know if Nat knows Tom is of Korean heritage--I will be emailing him to find out. But I'm glad that #1 I'm not the only one who sees a resemblance, #2 the Moons weren't offended!
But more than the scintillating resemblance, you might be wondering how all this came about?
Remember those Inhumans drawings I'd been posting over the last year or so? Not the most recent one, but the others? I'd also posted them to the mighty Tumblr, where they were picked up by a terrific page called "The Inhumans Forever" (check it out--the proprietor Nat simply posts all kinds of great Inhumans art--including some from yrs truly). When I saw that I'd been "re-blogged," I emailed the proprietor of the site to thank him. He said he dug my work, and pointed me to another site of his where he posts his own artwork. He added that if I ever wanted to swap some art, he'd love to oblige.
So I checked his site out. It's HERE. I particularly love his recent Adam West Batman--you will laff, laff, laff!
Turns out he does amazing cut-out art. Mainly of recognizable characters from comic books and pop culture. Well, I loved his stuff. And looking at his work, (boy, is he prolific!!), an idea formed--wouldn't it be cool to see his take on some of Tom Moon's incredible characters?
But I was hesitant--maybe he wouldn't be too jazzed about the effort required to research unfamiliar characters--and then, what if he did a bad job, (didn't seem possible, but you never know...)?? And then again, however well they turned out, Tom might be mortified to see his special creations defiled by the hand of an unknown artist--and before he'd even had a chance to publish a single comic! Or maybe he'd just be annoyed that I had arrogantly taken it upon myself to share his own characters with someone outside the TAG circle--without his permission??
So I chickened out and asked Nat for a small cut-out of Stardust, the strange Golden Age hero by idiot savant artist Fletcher Hanks (a character and artist who I knew Tom loved).
(Tom, go ahead and post a photo of the great Fletcher Hanks cut-out Nat did right HERE)
Tom sez: Done!
But even after I'd sent the email request to Nat for this safe choice (wonderful as I knew it would turn out--and I wasn't disappointed, as you will see once Tom posts a pic), I kept thinking how great Tom's own characters would look in this cut-out format.
So I broke down and asked Nat if he could do this one, too--just a little something, nothing too elaborate. Maybe 9" x 12", tops (I figured much smallerl might be more difficult when it came to manipulating the scissors?). Just whatever the characters and story inspired in him--but preferably the two of them fighting. And I insisted that I pay. But Nat refused payment, and asked that instead of paying him, I make a donation to Chicago's Cancer Research Foundation. How's that for an amazingly selfless referral??
Well, it only took Nat a few days to do BOTH cut-outs--this in addition to his full-time job (!) as a psychologist (!). But it took the package well over a week to get here...I was on pins and needles. When it arrived, what I found on our doorstep was a HUGE dbl-reinforced cardboard flat. I was shocked. When I opened it I was thrilled--thrilled to see how fantastically well Nat had rendered everyone--and shocked to see how elaborate and large it all was.
He emailed and said, yeah, he got a little carried away, don't sweat it.
(And not only did Nat go above and beyond with his quite brilliant rendition of Tom's characters, and the brilliant Stardust, but he also included three ADDITIONAL cut-outs that he said he had laying around the studio and that he thought I would like--one of 'em was a sexy Vampirella that I sent to Jimmy for Halloween. Amazing!)
So in the spirit of reciprocity, I inked an Inhumans drawing for Nat (the one from a few weeks ago) and mailed it off. But it wasn't until last night that Tom and I were able to get together (he was out of town for a while). NOW that we've finally gotten the art into Tom's hands, I can finally post these images and tell the tale.
And thankfully, not only did Tom like the cut-outs, but so did his wife Patty--she said they have to go up on the wall. Phew!
You know, one of the few truths I've learned in this life is, it's always worth it to commission a piece of artwork. If it's at all possible financially, you'll never regret it.
Wednesday, November 12, 2014
Wednesday "Worricker"
Blair and I spent the last two nights watching the first two "Worricker" films from PBS. All-star cast headed by Bill Nighy. Tonight was "Turks and Caicos," the second film. The first one was called "Page Eight" and Blair calls it her favorite film of the year.
Third and final one airs the 16th on yr local PBS affiliate. Highly reccommended.
Third and final one airs the 16th on yr local PBS affiliate. Highly reccommended.
Joined together- a beginning
Had to get off the dime and start drawing.
We'll see about finishing this and getting the intro panel done.
Intro where Uncle Goggle talks to the reader.
And maybe more if I'm inspired.
Tuesday, November 11, 2014
Monday, November 10, 2014
Figure drawing tonight
I may fix the staff holder in photoshop at some point. Move his shoulder area around.
But this is the untouched product.
It was fun. The costumes were complex and would have been very noisy to do accurately.
So there's a lot of simplification.
Sunday, November 09, 2014
Van Doodles
From my pocket sketchpad.
One enhanced with color.
Going to do life drawing tomorrow.
I'll post that/those for the Tuesday sketch.
Saturday, November 08, 2014
1951 ARGOSY Magazine-Elmore Leonard's first fiction sale-Trail of the Apache
When saved or viewed- the pages are large enough to read.
Leonard with his great style in place.
The hero that is definitely mortal but too cool to whine about problems the rest of humanity would whine about.
The go-to guy.
Like Raylan Givens in Justified.
This is evidence of my sick, completest compulsion I get with favorite writers.
I have to track it all down.
This I finally found on Ebay.
Friday, November 07, 2014
I've now read the 1930s novel
It's interesting that the Modern Classics version used this cover- completely uncredited.
It was great to read since it is taken straight from the script.
With a lot of the tough Ruth Rose dialogue being lifted straight from the script.
The spider pit scene is in the book. Sailors survive, land in mud, stuck up to their hips, and the spiders, looking like kegs with legs, swarm them.
The New York City ending is 10 pages. Of an 158 page book.
If you have never read an Elmore Leonard story, now you can start at the beginning. This is his first fiction sale. I scanned it from my own 1951 copy of Argosy magazine.
Extra note- Society of Illustrators Tumblr
Extra note- Society of Illustrators Tumblr
Wednesday, November 05, 2014
Monsters and Dames more WIP
I'll probably fiddle with the colors of the background a lot more to push it back. I want the windows to feel like they are bright in comparison to the rest of the scene.
UPDATE: Changed some colors around, finished the base color pass and just started a bit of lighting FX. Next will be highlights and shadows for the scene and perhaps some more lighting layers. Still trying to decide if I should put the chandelier in... it would hang in that space above Occular and the tall guy behind her.
UPDATE: Changed some colors around, finished the base color pass and just started a bit of lighting FX. Next will be highlights and shadows for the scene and perhaps some more lighting layers. Still trying to decide if I should put the chandelier in... it would hang in that space above Occular and the tall guy behind her.
Tuesday, November 04, 2014
Monday, November 03, 2014
Sunday, November 02, 2014
M and D progress report
Work has been slow on this one. Well actually, I've gotten pretty far considering how little time I've been able to put into it. The deadline is looming, so I need to get this back on track. My only real concern is that the central figure actually appears to be female. Is it clear enough?
Saturday, November 01, 2014
Subscribe to:
Posts (Atom)
















































